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Description
  • Partant de l'exemple du film Blow up de M. Antonioni, l'article propose d'analyser nos attentes discoursives de l'image photographique, considérée comme une preuve juridique du crime. L'analyse sémiotique de ce probleme est fondée sur la distinction de nos différents modes d'nterprétation dans le cas de la photographie, entendue comme une image fixe basée sur une empreinte (Didi-Huberman, Frazer), et dans le cas du film, entendu comme une image-mouvement basée sur une photographie (Deleuze, Bergson). La solution propose d'interconnecter ces deux modes d'analyse sous l'angle de la théorie peircienne de la sémiosis illimitée.
  • The paper analyses semiotic problem of our interpretation expectances of photographic image as evidence of a crime, as it appeared in Antonioni's film Blow up. The analyse consists in a semiotic discernment of our interpretation expectances in case of photograph as a fixed image based on a print (Didi-Huberman, Frazer), and in the case of the film as an image-motion based on a photograph (Deleuze, Bergson). The proposed solution consists in a final connection of these two ways of analyse, according to the Peirce's theory of unlimited semiosis. (en)
Title
  • BLOW UP : LE PUZZLE SÉMIOTIQUE
  • Blow up: Semiotic Puzzle (en)
skos:prefLabel
  • BLOW UP : LE PUZZLE SÉMIOTIQUE
  • Blow up: Semiotic Puzzle (en)
skos:notation
  • RIV/00216208:11240/11:10120294!RIV13-MSM-11240___
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  • N
http://linked.open...iv/cisloPeriodika
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http://linked.open...aciTvurceVysledku
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  • 188527
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  • RIV/00216208:11240/11:10120294
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  • Interpretation; Film; Photograph; Image-Motion; Fixed Image; Semiotics (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...odStatuVydavatele
  • CZ - Česká republika
http://linked.open...ontrolniKodProRIV
  • [8E4A8A59E128]
http://linked.open...i/riv/nazevZdroje
  • Interpretationes
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http://linked.open...v/svazekPeriodika
  • 1
http://linked.open...iv/tvurceVysledku
  • Fišerová, Michaela
issn
  • 1804-624X
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http://localhost/t...ganizacniJednotka
  • 11240
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