This article demonstrates that Henry?s auto-affectivity has to be completed by a conception of hetero-affectivity, and realizes this idea by an analysis of the relevance of epoché in the context of experiencing a picture.
This article demonstrates that Henry?s auto-affectivity has to be completed by a conception of hetero-affectivity, and realizes this idea by an analysis of the relevance of epoché in the context of experiencing a picture. (en)