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| Description
| - The paper deals with the comparison of the material composition of the tinned relief applied to the surface of two important anonymous panel paintings from the nineties of the fifteenth century linked with painters active for the circle of the Jagellonian Court in Bohemia – Panels with the provincial patrons Saints Wenceslas, Sigmund and Vitus (around 1490, NG in Prague) and the paintings of the large winged altarpiece, one of the most significant works of Jagellonian court art – the Ark of the Coronation of Our Lady known as the Křivoklát Ark (around 1480-1490, Palace Chapel of Křivoklát Castle). The aim of the investigation was to document the material composition of specific substances of the applied tinned relief, which in Late Medieval workshops formed part of the characteristic, unique and strictly guarded technological workshop signature. The investigation of a representative range of micro-samples utilised the methods of optical microscopy in a polarising microscope, Scanning Electron Microscopy and X-ray Microanalysis, infrared spectroscopy with Fourier transformation and the mapping of layers using the method of Micro-Raman spectroscopy. In these substances there was shown to be similar use of pigments on the basis of minium, lead white and additional minerals and the connection was also evident in the application of the individual layers in the preparation of the relief. The recognition of the repeated use of the same materials is especially valuable and so fundamental that it is possible to confirm the assumed direct workshop connection between the two historical works.
- The paper deals with the comparison of the material composition of the tinned relief applied to the surface of two important anonymous panel paintings from the nineties of the fifteenth century linked with painters active for the circle of the Jagellonian Court in Bohemia – Panels with the provincial patrons Saints Wenceslas, Sigmund and Vitus (around 1490, NG in Prague) and the paintings of the large winged altarpiece, one of the most significant works of Jagellonian court art – the Ark of the Coronation of Our Lady known as the Křivoklát Ark (around 1480-1490, Palace Chapel of Křivoklát Castle). The aim of the investigation was to document the material composition of specific substances of the applied tinned relief, which in Late Medieval workshops formed part of the characteristic, unique and strictly guarded technological workshop signature. The investigation of a representative range of micro-samples utilised the methods of optical microscopy in a polarising microscope, Scanning Electron Microscopy and X-ray Microanalysis, infrared spectroscopy with Fourier transformation and the mapping of layers using the method of Micro-Raman spectroscopy. In these substances there was shown to be similar use of pigments on the basis of minium, lead white and additional minerals and the connection was also evident in the application of the individual layers in the preparation of the relief. The recognition of the repeated use of the same materials is especially valuable and so fundamental that it is possible to confirm the assumed direct workshop connection between the two historical works. (en)
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| Title
| - Utilisation of micro-optic and micro-spectroscopic methods in the identification of identical filling materials of tinned reliefs in Late Gothic panel paintings of Bohemical provenance
- Utilisation of micro-optic and micro-spectroscopic methods in the identification of identical filling materials of tinned reliefs in Late Gothic panel paintings of Bohemical provenance (en)
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| skos:prefLabel
| - Utilisation of micro-optic and micro-spectroscopic methods in the identification of identical filling materials of tinned reliefs in Late Gothic panel paintings of Bohemical provenance
- Utilisation of micro-optic and micro-spectroscopic methods in the identification of identical filling materials of tinned reliefs in Late Gothic panel paintings of Bohemical provenance (en)
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| skos:notation
| - RIV/00023281:_____/14:#0000715!RIV15-MK0-00023281
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| http://linked.open...avai/riv/aktivita
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| http://linked.open...avai/riv/aktivity
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| http://linked.open...vai/riv/dodaniDat
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| http://linked.open...aciTvurceVysledku
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| http://linked.open.../riv/druhVysledku
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| http://linked.open...iv/duvernostUdaju
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| http://linked.open...titaPredkladatele
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| http://linked.open...dnocenehoVysledku
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| http://linked.open...ai/riv/idVysledku
| - RIV/00023281:_____/14:#0000715
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| http://linked.open...riv/jazykVysledku
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| http://linked.open.../riv/klicovaSlova
| - Late Gothic; Decorative Technique; Tin-relief technique; Brocade imitation; Panel painting; X-ray fluorescence; Raman spectroscopy (en)
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| http://linked.open.../riv/klicoveSlovo
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| http://linked.open...ontrolniKodProRIV
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| http://linked.open...v/mistoKonaniAkce
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| http://linked.open...i/riv/mistoVydani
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| http://linked.open...i/riv/nazevZdroje
| - Book of Abstracts of 18th International Microscopy Congress Prague
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| http://linked.open...in/vavai/riv/obor
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| http://linked.open...ichTvurcuVysledku
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| http://linked.open...cetTvurcuVysledku
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| http://linked.open...vavai/riv/projekt
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| http://linked.open...UplatneniVysledku
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| http://linked.open...iv/tvurceVysledku
| - Kotrlý, Marek
- Turková, Ivana
- Třeštíková, Anna
- Šefců, Radka
- Chlumská, Štěpánka
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| http://linked.open...vavai/riv/typAkce
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| http://linked.open.../riv/zahajeniAkce
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| number of pages
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| http://purl.org/ne...btex#hasPublisher
| - Czechoslovak Microscopy Society
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| https://schema.org/isbn
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