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  • The paper refers to the photographic collection which was established in 2008 at the Institute of Art History of the Czech Academy of Sciences in Prague, basically by sorting out and pulling together photographic material from art-historical legacies administered by the Institute´s archive. Based on more than forty estates, the variety of provenance reflects variety of the material and the challenges we had to face then – starting from the scratch. Until 2008 the photographs, with only a few exceptions, were “lying at the Institute´s archive without any attention for over 50 years, intact in terms of arrangement, but damaged in the course of time and due to storage conditions. Having in mind that sorting or uncovering an archive is an open-ended process and the more precisely the archive is catalogued, the more it is tied down, one´s attitude to establishing the IAH collection was far from exempt from the disheartening feeling that something would be lost a priori by any intervention into an archive structure.
  • The paper refers to the photographic collection which was established in 2008 at the Institute of Art History of the Czech Academy of Sciences in Prague, basically by sorting out and pulling together photographic material from art-historical legacies administered by the Institute´s archive. Based on more than forty estates, the variety of provenance reflects variety of the material and the challenges we had to face then – starting from the scratch. Until 2008 the photographs, with only a few exceptions, were “lying at the Institute´s archive without any attention for over 50 years, intact in terms of arrangement, but damaged in the course of time and due to storage conditions. Having in mind that sorting or uncovering an archive is an open-ended process and the more precisely the archive is catalogued, the more it is tied down, one´s attitude to establishing the IAH collection was far from exempt from the disheartening feeling that something would be lost a priori by any intervention into an archive structure. (en)
Title
  • Lost and Found: A Photographic Collection Managed by an Art-History Research Institute
  • Lost and Found: A Photographic Collection Managed by an Art-History Research Institute (en)
skos:prefLabel
  • Lost and Found: A Photographic Collection Managed by an Art-History Research Institute
  • Lost and Found: A Photographic Collection Managed by an Art-History Research Institute (en)
skos:notation
  • RIV/68378033:_____/14:00438897!RIV15-AV0-68378033
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • I
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 26633
http://linked.open...ai/riv/idVysledku
  • RIV/68378033:_____/14:00438897
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • photography; collection; collection management; digitization; archive (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [1F6B1A2E25C7]
http://linked.open...v/mistoKonaniAkce
  • Brusel
http://linked.open...i/riv/mistoVydani
  • Newcastle upon Tyne
http://linked.open...i/riv/nazevZdroje
  • CoMa 2013. Safeguarding Image Collections
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
http://linked.open...iv/tvurceVysledku
  • Trnková, Petra
http://linked.open...vavai/riv/typAkce
http://linked.open.../riv/zahajeniAkce
number of pages
http://purl.org/ne...btex#hasPublisher
  • Cambridge Scholar Publishing
https://schema.org/isbn
  • 978-1-4438-6818-1
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