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  • Many portraits were painted of Rudolf II during his lifetime, forming a significant component of Rudolfian art, however, they have not received sufficient art historical attention. They document—at times in a stylyzed manner—the transformation of Rudof´s appearance. However, their most important task was to demonstrate and make tangeable Rudolf´s authentic apperance to the world and to celebrate his magnanimity and personality. Thus, there are many portraits that represent Rudolf as a good emperor or a brilliant commander. It is difficult to find interconnections between the many portraits that were produced of Rudolf, however among them one may find some artworks that would become exemplars for other portraits of the emperor during his reign/lifetime/the end of the 16th and early 17th century.
  • Many portraits were painted of Rudolf II during his lifetime, forming a significant component of Rudolfian art, however, they have not received sufficient art historical attention. They document—at times in a stylyzed manner—the transformation of Rudof´s appearance. However, their most important task was to demonstrate and make tangeable Rudolf´s authentic apperance to the world and to celebrate his magnanimity and personality. Thus, there are many portraits that represent Rudolf as a good emperor or a brilliant commander. It is difficult to find interconnections between the many portraits that were produced of Rudolf, however among them one may find some artworks that would become exemplars for other portraits of the emperor during his reign/lifetime/the end of the 16th and early 17th century. (en)
Title
  • Privacy and propaganda: The iconography of the emperor Rudolf II
  • Privacy and propaganda: The iconography of the emperor Rudolf II (en)
skos:prefLabel
  • Privacy and propaganda: The iconography of the emperor Rudolf II
  • Privacy and propaganda: The iconography of the emperor Rudolf II (en)
skos:notation
  • RIV/68378033:_____/12:00380196!RIV13-AV0-68378033
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • Z(AV0Z80330511)
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 162076
http://linked.open...ai/riv/idVysledku
  • RIV/68378033:_____/12:00380196
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • Rudolf II; portrait; iconography (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [FEAA0460B955]
http://linked.open...v/mistoKonaniAkce
  • Praha
http://linked.open...i/riv/mistoVydani
  • Prague
http://linked.open...i/riv/nazevZdroje
  • Hans von Aachen in Context. Proceedings of the International conference Prague 22-25 September 2010
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
http://linked.open...iv/tvurceVysledku
  • Zlatohlávková, Eliška
http://linked.open...vavai/riv/typAkce
http://linked.open.../riv/zahajeniAkce
http://linked.open...n/vavai/riv/zamer
number of pages
http://purl.org/ne...btex#hasPublisher
  • Ústav dějin umění AV ČR. Vydavatelství Artefactum
https://schema.org/isbn
  • 978-80-86890-42-5
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