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  • Seeking to affirm the non-thetic, the exploratory, open and dynamic nature of Performance Philosophy, Alice Lagaay and Alice Koubová have chosen the form of a dialogue to address their respectively different yet resonating perspectives, opening a space in which to experience the 'impossible' in philosophy. The internally transcending aspect of the impossible is shown to be crucial for outplaying rigid paradigms. Yet it also presents a unique challenge to thinking. Their conversation evokes various paradoxical strategies by which to touch the ungraspable: from longing for the neutral (Barthes), to the magnification of reality through secrecy (Simmel), from roaming wondering around the figure of the closed fist (Derrida), to the emphasis of expressive difference (Blumenberg), or the revelation that emerges via concealment (Heidegger). Such strategies are gradually revealed to be performative in themselves and through them, Performance Philosophy suggests itself as a way of caring for the impossible without rendering it mysterious. Lagaay and Koubová document this statement by reference to their own philosophy and performance practices. The performative effect of the dialogue brings the impossible to glimmer between non-unified strands of thought, ranging from the idea of ludic peace and playful indifference on the one hand, to the necessary experience of thinking and living with paradoxes, on the other.
  • Seeking to affirm the non-thetic, the exploratory, open and dynamic nature of Performance Philosophy, Alice Lagaay and Alice Koubová have chosen the form of a dialogue to address their respectively different yet resonating perspectives, opening a space in which to experience the 'impossible' in philosophy. The internally transcending aspect of the impossible is shown to be crucial for outplaying rigid paradigms. Yet it also presents a unique challenge to thinking. Their conversation evokes various paradoxical strategies by which to touch the ungraspable: from longing for the neutral (Barthes), to the magnification of reality through secrecy (Simmel), from roaming wondering around the figure of the closed fist (Derrida), to the emphasis of expressive difference (Blumenberg), or the revelation that emerges via concealment (Heidegger). Such strategies are gradually revealed to be performative in themselves and through them, Performance Philosophy suggests itself as a way of caring for the impossible without rendering it mysterious. Lagaay and Koubová document this statement by reference to their own philosophy and performance practices. The performative effect of the dialogue brings the impossible to glimmer between non-unified strands of thought, ranging from the idea of ludic peace and playful indifference on the one hand, to the necessary experience of thinking and living with paradoxes, on the other. (en)
Title
  • Performing the Impossible in Philosophy
  • Performing the Impossible in Philosophy (en)
skos:prefLabel
  • Performing the Impossible in Philosophy
  • Performing the Impossible in Philosophy (en)
skos:notation
  • RIV/67985955:_____/14:00437383!RIV15-GA0-67985955
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • I, P(GA14-22586S)
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
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  • 36180
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  • RIV/67985955:_____/14:00437383
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  • performance philosophy; Heidegger; postmodernity; Blanchot; Derrida; impossibility (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [1E43A5C659E8]
http://linked.open...i/riv/mistoVydani
  • Basingstoke
http://linked.open...i/riv/nazevZdroje
  • Encounters in performance philosophy
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...v/pocetStranKnihy
http://linked.open...cetTvurcuVysledku
http://linked.open...vavai/riv/projekt
http://linked.open...UplatneniVysledku
http://linked.open...iv/tvurceVysledku
  • Koubová, Alice
  • Lagaay, A.
number of pages
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  • Palgrave Macmillan
https://schema.org/isbn
  • 978-1-137-46271-8
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