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  • The aim of the present text is to analyze literary form and context of Marcel Proust's treatment of music and of the figure of composer. Inspired by a thorough analysis of this topic by J.-J. Nattiez, the author different forms of this treatment in the context of Proust's perceptual aesthetics. In the second part of the paper, those motives are confronted with a famous interpretation of %22sensible ideas%22, presented by Maurice-Marleau-Ponty in his late works.
  • The aim of the present text is to analyze literary form and context of Marcel Proust's treatment of music and of the figure of composer. Inspired by a thorough analysis of this topic by J.-J. Nattiez, the author different forms of this treatment in the context of Proust's perceptual aesthetics. In the second part of the paper, those motives are confronted with a famous interpretation of %22sensible ideas%22, presented by Maurice-Marleau-Ponty in his late works. (en)
Title
  • Music as Ideality: the Figure of the Composer in Marcel Proust
  • Music as Ideality: the Figure of the Composer in Marcel Proust (en)
skos:prefLabel
  • Music as Ideality: the Figure of the Composer in Marcel Proust
  • Music as Ideality: the Figure of the Composer in Marcel Proust (en)
skos:notation
  • RIV/67985955:_____/11:00367323!RIV12-AV0-67985955
http://linked.open...avai/riv/aktivita
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  • Z(AV0Z90090514)
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  • 214373
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  • RIV/67985955:_____/11:00367323
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  • music; ideality; Marcel Proust (en)
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  • [C3FC39E0CFF1]
http://linked.open...i/riv/mistoVydani
  • Bratislava
http://linked.open...vEdiceCisloSvazku
  • Colloquia litteraria erudita, 4
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  • Controversial Modernity
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http://linked.open...cetTvurcuVysledku
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  • Fulka, Josef
http://linked.open...n/vavai/riv/zamer
number of pages
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  • Ústav světovej literatúry SAV
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  • 978-80-8095-071-2
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