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Description
| - Within Western performance practices since the late-twentieth century, the phenomenon of silence has played a seminal role. Post-John Cagean, the understanding of silence as a space for spectators’ contemplations - and perhaps the sheer potentiality of self-affirmation and realisation - is often contrasted with the recent penchant for emptiness, speechlessness, the art of the unseen, and the self-confessional de-framing strategies in the works of contemporary British Live artists such as Bobby Baker, Franko B and Tim Etchells. This paper suggests that violence representation is also intrinsic and somehow embedded in the recent boom of the so-called sublime drama, and that the spatial and temporal framing of state-of-the art British performance operates as a parergonal issue especially in the aesthetically driven postdramatic reading of the British Live artists.
- Within Western performance practices since the late-twentieth century, the phenomenon of silence has played a seminal role. Post-John Cagean, the understanding of silence as a space for spectators’ contemplations - and perhaps the sheer potentiality of self-affirmation and realisation - is often contrasted with the recent penchant for emptiness, speechlessness, the art of the unseen, and the self-confessional de-framing strategies in the works of contemporary British Live artists such as Bobby Baker, Franko B and Tim Etchells. This paper suggests that violence representation is also intrinsic and somehow embedded in the recent boom of the so-called sublime drama, and that the spatial and temporal framing of state-of-the art British performance operates as a parergonal issue especially in the aesthetically driven postdramatic reading of the British Live artists. (en)
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Title
| - The Phenomenon of Silence in the Postdramatic Oeuvre of Forced Entertainment
- The Phenomenon of Silence in the Postdramatic Oeuvre of Forced Entertainment (en)
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skos:prefLabel
| - The Phenomenon of Silence in the Postdramatic Oeuvre of Forced Entertainment
- The Phenomenon of Silence in the Postdramatic Oeuvre of Forced Entertainment (en)
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skos:notation
| - RIV/62690094:18440/13:50001478!RIV14-MSM-18440___
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http://linked.open...avai/riv/aktivita
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http://linked.open...avai/riv/aktivity
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http://linked.open...vai/riv/dodaniDat
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http://linked.open...aciTvurceVysledku
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http://linked.open.../riv/druhVysledku
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http://linked.open...iv/duvernostUdaju
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http://linked.open...titaPredkladatele
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http://linked.open...dnocenehoVysledku
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http://linked.open...ai/riv/idVysledku
| - RIV/62690094:18440/13:50001478
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http://linked.open...riv/jazykVysledku
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http://linked.open.../riv/klicovaSlova
| - postdramatic theatre; performance art; Forced Entertainment; silence (en)
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http://linked.open.../riv/klicoveSlovo
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http://linked.open...ontrolniKodProRIV
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http://linked.open...v/mistoKonaniAkce
| - Tomas Bata University in Zlin
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http://linked.open...i/riv/mistoVydani
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http://linked.open...i/riv/nazevZdroje
| - From theory to practice 2012 : proceedings of the fourth international conference on Anglophone studies
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http://linked.open...in/vavai/riv/obor
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http://linked.open...ichTvurcuVysledku
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http://linked.open...cetTvurcuVysledku
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http://linked.open...UplatneniVysledku
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http://linked.open...iv/tvurceVysledku
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http://linked.open...vavai/riv/typAkce
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http://linked.open...ain/vavai/riv/wos
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http://linked.open.../riv/zahajeniAkce
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issn
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number of pages
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http://purl.org/ne...btex#hasPublisher
| - Univerzita Tomáše Bati ve Zlíně
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https://schema.org/isbn
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http://localhost/t...ganizacniJednotka
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