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  • Background: A ballet position places high stress on the dancer's body and influences the mobility of the lower limb joints. This leads to overloading of the musculoskeletal system of the dancers. Objective: The aim of this study was to observe the differences in the gait pattern between ballet dancers and non-dancers. Methods: In this research we compared thirteen professional ballet dancers (5 males, 8 females; age 24.1 +- 3.8 years; height 170.2 +- 8.5 cm; weight 58.3 +- 11.2 kg) with twelve controls (3 males, 9 females; mean age 24.3 +- 2.75 years; height 173.3 +- 6.01 cm; weight 72.2 +- 12.73 kg). Each participant performed five trials of the gait at self-selected walking speed. Kinematic data was obtained using the Vicon MX system. Mann-Whitney U test (p { .05) was applied for comparing the dancers and the controls. Results: Significant differences (p { .05) were found in greater hip extension (-15.30 +- 3.31° vs. -12.95 +- 6.04°; p = .008) and hip abduction (-9.18 +- 5.89° vs. -6.08 +- 2.52°; p { .001) peaks together with increased pelvic tilt (3.33 +- 1.26° vs. 3.01 +- 1.46°; p = .020), pelvic obliquity (12.46 +- 3.05° vs. 10.34 +- 3.49°; p { .001) and pelvic rotation (14.29 +- 3.77° vs. 13.26 +- 4.91°; p = .029) in the dancers. Additionally, the dancers demonstrated greater knee flexion (65.67 +- 4.65° vs. 62.45 +- 5.24°; p = .002) and knee extension (3.80 +- 4.02° vs. -1.54 +- 5.65°; p { .001) peaks during the swing phase when compared to the controls. Decreased maximal ankle plantar flexion was observed during the loading response (-8.84 +- 3.74° vs. -10.50 +- 3.99°) and increased maximal ankle plantar flexion in terminal stance (-20.30 +- 4.93° vs. -17.00 +- 3.99°; p = .025) was observed for the dancers. Conclusion: The results confirm that long-term ballet training affects the kinematic pattern of particular joints during the gait. The findings suggest overloading in the lumbosacral region and dysfunction or weakness of several muscles in ballet dancers.
  • Background: A ballet position places high stress on the dancer's body and influences the mobility of the lower limb joints. This leads to overloading of the musculoskeletal system of the dancers. Objective: The aim of this study was to observe the differences in the gait pattern between ballet dancers and non-dancers. Methods: In this research we compared thirteen professional ballet dancers (5 males, 8 females; age 24.1 +- 3.8 years; height 170.2 +- 8.5 cm; weight 58.3 +- 11.2 kg) with twelve controls (3 males, 9 females; mean age 24.3 +- 2.75 years; height 173.3 +- 6.01 cm; weight 72.2 +- 12.73 kg). Each participant performed five trials of the gait at self-selected walking speed. Kinematic data was obtained using the Vicon MX system. Mann-Whitney U test (p { .05) was applied for comparing the dancers and the controls. Results: Significant differences (p { .05) were found in greater hip extension (-15.30 +- 3.31° vs. -12.95 +- 6.04°; p = .008) and hip abduction (-9.18 +- 5.89° vs. -6.08 +- 2.52°; p { .001) peaks together with increased pelvic tilt (3.33 +- 1.26° vs. 3.01 +- 1.46°; p = .020), pelvic obliquity (12.46 +- 3.05° vs. 10.34 +- 3.49°; p { .001) and pelvic rotation (14.29 +- 3.77° vs. 13.26 +- 4.91°; p = .029) in the dancers. Additionally, the dancers demonstrated greater knee flexion (65.67 +- 4.65° vs. 62.45 +- 5.24°; p = .002) and knee extension (3.80 +- 4.02° vs. -1.54 +- 5.65°; p { .001) peaks during the swing phase when compared to the controls. Decreased maximal ankle plantar flexion was observed during the loading response (-8.84 +- 3.74° vs. -10.50 +- 3.99°) and increased maximal ankle plantar flexion in terminal stance (-20.30 +- 4.93° vs. -17.00 +- 3.99°; p = .025) was observed for the dancers. Conclusion: The results confirm that long-term ballet training affects the kinematic pattern of particular joints during the gait. The findings suggest overloading in the lumbosacral region and dysfunction or weakness of several muscles in ballet dancers. (en)
Title
  • Kinematic analysis of the gait in professional ballet dancers
  • Kinematic analysis of the gait in professional ballet dancers (en)
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  • Kinematic analysis of the gait in professional ballet dancers
  • Kinematic analysis of the gait in professional ballet dancers (en)
skos:notation
  • RIV/61989592:15510/14:33149204!RIV15-MSM-15510___
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • S, Z(MSM6198959221)
http://linked.open...iv/cisloPeriodika
  • 2
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 24228
http://linked.open...ai/riv/idVysledku
  • RIV/61989592:15510/14:33149204
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • walking; angular range of motion; kinematics; gait cycle; ballet dancers (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...odStatuVydavatele
  • CZ - Česká republika
http://linked.open...ontrolniKodProRIV
  • [F5F52ABF98F7]
http://linked.open...i/riv/nazevZdroje
  • Acta Gymnica
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
http://linked.open...v/svazekPeriodika
  • 44
http://linked.open...iv/tvurceVysledku
  • Svoboda, Zdeněk
  • Procházková, Markéta
  • Janura, Miroslav
  • Teplá, Lucie
http://linked.open...n/vavai/riv/zamer
issn
  • 2336-4912
number of pages
http://bibframe.org/vocab/doi
  • 10.5507/ag.2014.009
http://localhost/t...ganizacniJednotka
  • 15510
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