Attributes | Values |
---|
rdf:type
| |
Description
| - The central concern of this text lies with the famous essay The Work of Art in the Age of Mechanical Reproduction (1936) – one of the last texts of German thinker Walter Benjamin. In the essay, Benjamin articulated a key concept “Aura” that has become integral part of the discussion about the nature of new media. This issue should be analysed – with respect to critical theory – by the means of function of art in the area of mass culture in its own right. Nevertheless, for better analysis, the concept will be hereby analysed in relation to the political dimension of the DIY (do-it-yourself) culture. The ambiguity (duality) of the submitted method – on one hand the analysis of cultural industry, and on the other hand the analysis of the DIY culture – should reveal a conceivable persistence of Aura in the age of digital reproduction. However, the precondition of this grasp of the concept is based on Benjamin’s politicization of art: cultural artefact is constituted through collectivism. It leads us to a premise that the nature of artefact is not a result of any institution; it is merely an object of use in the particular collective.
- The central concern of this text lies with the famous essay The Work of Art in the Age of Mechanical Reproduction (1936) – one of the last texts of German thinker Walter Benjamin. In the essay, Benjamin articulated a key concept “Aura” that has become integral part of the discussion about the nature of new media. This issue should be analysed – with respect to critical theory – by the means of function of art in the area of mass culture in its own right. Nevertheless, for better analysis, the concept will be hereby analysed in relation to the political dimension of the DIY (do-it-yourself) culture. The ambiguity (duality) of the submitted method – on one hand the analysis of cultural industry, and on the other hand the analysis of the DIY culture – should reveal a conceivable persistence of Aura in the age of digital reproduction. However, the precondition of this grasp of the concept is based on Benjamin’s politicization of art: cultural artefact is constituted through collectivism. It leads us to a premise that the nature of artefact is not a result of any institution; it is merely an object of use in the particular collective. (en)
|
Title
| - Artwork has an aura even in the era of its technical reproducibility
- Artwork has an aura even in the era of its technical reproducibility (en)
|
skos:prefLabel
| - Artwork has an aura even in the era of its technical reproducibility
- Artwork has an aura even in the era of its technical reproducibility (en)
|
skos:notation
| - RIV/61989100:27620/14:86091725!RIV15-MSM-27620___
|
http://linked.open...avai/riv/aktivita
| |
http://linked.open...avai/riv/aktivity
| |
http://linked.open...vai/riv/dodaniDat
| |
http://linked.open...aciTvurceVysledku
| |
http://linked.open.../riv/druhVysledku
| |
http://linked.open...iv/duvernostUdaju
| |
http://linked.open...titaPredkladatele
| |
http://linked.open...dnocenehoVysledku
| |
http://linked.open...ai/riv/idVysledku
| - RIV/61989100:27620/14:86091725
|
http://linked.open...riv/jazykVysledku
| |
http://linked.open.../riv/klicovaSlova
| - reproducibility; aura; Artwork (en)
|
http://linked.open.../riv/klicoveSlovo
| |
http://linked.open...ontrolniKodProRIV
| |
http://linked.open...i/riv/mistoVydani
| |
http://linked.open...vEdiceCisloSvazku
| |
http://linked.open...i/riv/nazevZdroje
| - Člověk, Ideje, Společnost. II, Reflexe a Obraz člověka ve společenských vědách
|
http://linked.open...in/vavai/riv/obor
| |
http://linked.open...ichTvurcuVysledku
| |
http://linked.open...v/pocetStranKnihy
| |
http://linked.open...cetTvurcuVysledku
| |
http://linked.open...UplatneniVysledku
| |
http://linked.open...iv/tvurceVysledku
| |
number of pages
| |
http://purl.org/ne...btex#hasPublisher
| - Vysoká škola báňská - Technická univerzita Ostrava
|
https://schema.org/isbn
| |
http://localhost/t...ganizacniJednotka
| |