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  • The presented psychoacoustic experiment was focused on perception of roughness in violin tones. The research suggests a possible multi-dimensionality of perceived roughness linked to both the processes of sound generation influenced by irregularities in string oscillation and psychoacoustic roughness perception principles. The sounds of free violin G string, played with different bow speed and force (built-up of differing rough tones) were recorded with microphone. Simultaneously, the recordings of the violin string movement were done with high speed video camera. Nine standardized audio records were used as stimuli in listening tests with 18 subjects. Their roughness measure was obtained in ranking and rating test. The ratings of dissimilarity in roughness and verbal attributes descriptions were received in a pair comparison test. The resulting perception spaces were analyzed on space dimensionality (the obtained perception space had 4 dimensions). Different kinds of percepts described with different verbal descriptions were joined with stimuli positions in perception space and also with string motion near the violin bridge. The cracked, buzzing and strident percepts all constitute the roughness perception judged as a whole. Buzzing and strident were mutually independent attributes. The narrowness, brightness and roughness each contribute to the strident percept.
  • The presented psychoacoustic experiment was focused on perception of roughness in violin tones. The research suggests a possible multi-dimensionality of perceived roughness linked to both the processes of sound generation influenced by irregularities in string oscillation and psychoacoustic roughness perception principles. The sounds of free violin G string, played with different bow speed and force (built-up of differing rough tones) were recorded with microphone. Simultaneously, the recordings of the violin string movement were done with high speed video camera. Nine standardized audio records were used as stimuli in listening tests with 18 subjects. Their roughness measure was obtained in ranking and rating test. The ratings of dissimilarity in roughness and verbal attributes descriptions were received in a pair comparison test. The resulting perception spaces were analyzed on space dimensionality (the obtained perception space had 4 dimensions). Different kinds of percepts described with different verbal descriptions were joined with stimuli positions in perception space and also with string motion near the violin bridge. The cracked, buzzing and strident percepts all constitute the roughness perception judged as a whole. Buzzing and strident were mutually independent attributes. The narrowness, brightness and roughness each contribute to the strident percept. (en)
Title
  • Perception of different Types of roughness of violin tones
  • Perception of different Types of roughness of violin tones (en)
skos:prefLabel
  • Perception of different Types of roughness of violin tones
  • Perception of different Types of roughness of violin tones (en)
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  • RIV/61384984:51110/14:#0000392!RIV15-MSM-51110___
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  • RIV/61384984:51110/14:#0000392
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  • sound perception; violine tones; timbre; roughness (en)
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  • [E999998B6E9D]
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  • Otčenášek, Zdeněk
  • Otčenášek, Jan
http://localhost/t...ganizacniJednotka
  • 51110
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