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Description
| - In 2007 to 2009 we examined 32 paintings by F. von Amerling using a non-invasive X-ray fluorescence method. The collection of samples was limited as paintings were not in the process of restoration; thus we only collected samples from bent edges of canvas. We found out that he used mainly two types of grounds – oil white and also a two-layer oilground consisting of a bottom clay-based (earthy) layer and a top light layer. F. von Amerling did not change his favorite palette of pigments in that period. He used zinc white only later - in the eighteen fifties. Further, we compared three portraits of the Hilleprand von Prandau painted by Amerling, specifically two portraits of Marianne Norman - Ehrenfels (Levoča, Slovakia, Osijek, Croatia), and a portrait of Marianne´s sister, Alvine, (Osijek, Croatia). The comparison of the paintings suggests that the portrait of Marianne from Levoča (so far without a definite datation) was painted earlier than the portrait of the same person from Osijek (1951).
- In 2007 to 2009 we examined 32 paintings by F. von Amerling using a non-invasive X-ray fluorescence method. The collection of samples was limited as paintings were not in the process of restoration; thus we only collected samples from bent edges of canvas. We found out that he used mainly two types of grounds – oil white and also a two-layer oilground consisting of a bottom clay-based (earthy) layer and a top light layer. F. von Amerling did not change his favorite palette of pigments in that period. He used zinc white only later - in the eighteen fifties. Further, we compared three portraits of the Hilleprand von Prandau painted by Amerling, specifically two portraits of Marianne Norman - Ehrenfels (Levoča, Slovakia, Osijek, Croatia), and a portrait of Marianne´s sister, Alvine, (Osijek, Croatia). The comparison of the paintings suggests that the portrait of Marianne from Levoča (so far without a definite datation) was painted earlier than the portrait of the same person from Osijek (1951). (en)
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Title
| - Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling
- Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling (en)
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skos:prefLabel
| - Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling
- Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling (en)
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skos:notation
| - RIV/60461446:52810/10:#0000076!RIV11-MSM-52810___
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http://linked.open...avai/riv/aktivita
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http://linked.open...avai/riv/aktivity
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http://linked.open...vai/riv/dodaniDat
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http://linked.open...aciTvurceVysledku
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http://linked.open.../riv/druhVysledku
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http://linked.open...iv/duvernostUdaju
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http://linked.open...titaPredkladatele
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http://linked.open...dnocenehoVysledku
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http://linked.open...ai/riv/idVysledku
| - RIV/60461446:52810/10:#0000076
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http://linked.open...riv/jazykVysledku
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http://linked.open.../riv/klicovaSlova
| - Friedrich von Amerling; painting technique; materials investigation; portraits of countesses Marianne and Alvine Hilleprand von Prandau (en)
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http://linked.open.../riv/klicoveSlovo
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http://linked.open...ontrolniKodProRIV
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http://linked.open...v/mistoKonaniAkce
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http://linked.open...i/riv/mistoVydani
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http://linked.open...i/riv/nazevZdroje
| - ACTA ARTIS ACADEMICA 2010: THE STORY OF ART - ARTWORK CHANGES IN TIME
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http://linked.open...in/vavai/riv/obor
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http://linked.open...ichTvurcuVysledku
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http://linked.open...cetTvurcuVysledku
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http://linked.open...UplatneniVysledku
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http://linked.open...iv/tvurceVysledku
| - Hradilová, Janka
- Mislerová, Hana
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http://linked.open...vavai/riv/typAkce
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http://linked.open...ain/vavai/riv/wos
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http://linked.open.../riv/zahajeniAkce
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http://linked.open...n/vavai/riv/zamer
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number of pages
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http://purl.org/ne...btex#hasPublisher
| - Akademie výtvarných umění, Praha
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https://schema.org/isbn
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http://localhost/t...ganizacniJednotka
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