About: Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling     Goto   Sponge   NotDistinct   Permalink

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  • In 2007 to 2009 we examined 32 paintings by F. von Amerling using a non-invasive X-ray fluorescence method. The collection of samples was limited as paintings were not in the process of restoration; thus we only collected samples from bent edges of canvas. We found out that he used mainly two types of grounds – oil white and also a two-layer oilground consisting of a bottom clay-based (earthy) layer and a top light layer. F. von Amerling did not change his favorite palette of pigments in that period. He used zinc white only later - in the eighteen fifties. Further, we compared three portraits of the Hilleprand von Prandau painted by Amerling, specifically two portraits of Marianne Norman - Ehrenfels (Levoča, Slovakia, Osijek, Croatia), and a portrait of Marianne´s sister, Alvine, (Osijek, Croatia). The comparison of the paintings suggests that the portrait of Marianne from Levoča (so far without a definite datation) was painted earlier than the portrait of the same person from Osijek (1951).
  • In 2007 to 2009 we examined 32 paintings by F. von Amerling using a non-invasive X-ray fluorescence method. The collection of samples was limited as paintings were not in the process of restoration; thus we only collected samples from bent edges of canvas. We found out that he used mainly two types of grounds – oil white and also a two-layer oilground consisting of a bottom clay-based (earthy) layer and a top light layer. F. von Amerling did not change his favorite palette of pigments in that period. He used zinc white only later - in the eighteen fifties. Further, we compared three portraits of the Hilleprand von Prandau painted by Amerling, specifically two portraits of Marianne Norman - Ehrenfels (Levoča, Slovakia, Osijek, Croatia), and a portrait of Marianne´s sister, Alvine, (Osijek, Croatia). The comparison of the paintings suggests that the portrait of Marianne from Levoča (so far without a definite datation) was painted earlier than the portrait of the same person from Osijek (1951). (en)
Title
  • Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling
  • Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling (en)
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  • Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling
  • Painting Technique of Portraits painted in the 19th century by Friedrich von Amerling (en)
skos:notation
  • RIV/60461446:52810/10:#0000076!RIV11-MSM-52810___
http://linked.open...avai/riv/aktivita
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  • I, Z(MSM6046144603)
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  • 277928
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  • RIV/60461446:52810/10:#0000076
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  • Friedrich von Amerling; painting technique; materials investigation; portraits of countesses Marianne and Alvine Hilleprand von Prandau (en)
http://linked.open.../riv/klicoveSlovo
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  • [CD527F4959C8]
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  • Prague
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  • Prague, Czech Republic
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  • ACTA ARTIS ACADEMICA 2010: THE STORY OF ART - ARTWORK CHANGES IN TIME
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http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
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  • Hradilová, Janka
  • Mislerová, Hana
http://linked.open...vavai/riv/typAkce
http://linked.open...ain/vavai/riv/wos
  • 000288141200008
http://linked.open.../riv/zahajeniAkce
http://linked.open...n/vavai/riv/zamer
number of pages
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  • Akademie výtvarných umění, Praha
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  • 978-80-87108-14-7
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  • 52810
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