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  • This paper presents theresults of an integrated approach to the investigation of the techniques used by the painting workshops in Transylvania for the imitation of brocade fabrics. The investigation is carried out on a group of 12 largely unstudied Late Gothic– Early Renaissance altarpieces built between 1450 – 1540 in German and Hungarian communities, these being some of the oldest panel paintings preserved in Romania. Over the period 2005-2010 these paintings were, for the first time subjected to an extensive technical investigation by complementary analytical methods. The in situ investigation combines visual examination and extensive non invasive point measurements by portable X-ray fluorescence. The laboratory investigations included light microscopy ( visible and UV light), histochemical tests, scanning electron microscopy (SEM) with EDX spectrochemical microanalysis, and Fourier transform infrared spectroscopy (FTIR). The study reveals the use of at least five types of brocade imitation.
  • This paper presents theresults of an integrated approach to the investigation of the techniques used by the painting workshops in Transylvania for the imitation of brocade fabrics. The investigation is carried out on a group of 12 largely unstudied Late Gothic– Early Renaissance altarpieces built between 1450 – 1540 in German and Hungarian communities, these being some of the oldest panel paintings preserved in Romania. Over the period 2005-2010 these paintings were, for the first time subjected to an extensive technical investigation by complementary analytical methods. The in situ investigation combines visual examination and extensive non invasive point measurements by portable X-ray fluorescence. The laboratory investigations included light microscopy ( visible and UV light), histochemical tests, scanning electron microscopy (SEM) with EDX spectrochemical microanalysis, and Fourier transform infrared spectroscopy (FTIR). The study reveals the use of at least five types of brocade imitation. (en)
Title
  • The Imitation of Brocade Fabrics in late Medieval AltarPieces from Transylvania
  • The Imitation of Brocade Fabrics in late Medieval AltarPieces from Transylvania (en)
skos:prefLabel
  • The Imitation of Brocade Fabrics in late Medieval AltarPieces from Transylvania
  • The Imitation of Brocade Fabrics in late Medieval AltarPieces from Transylvania (en)
skos:notation
  • RIV/60461446:52810/10:#0000074!RIV11-MSM-52810___
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • I, Z(MSM6046144603)
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
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  • 262899
http://linked.open...ai/riv/idVysledku
  • RIV/60461446:52810/10:#0000074
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • Altarpieces; brocade imitation; panel painting; metal leafs; gilding (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [B0EE67E8E258]
http://linked.open...v/mistoKonaniAkce
  • Prague
http://linked.open...i/riv/mistoVydani
  • Prague, Czech Republic
http://linked.open...i/riv/nazevZdroje
  • ACTA ARTIS ACADEMICA 2010 : THE STORY OF ART - ARTWORK CHANGES IN TIME
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http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
http://linked.open...iv/tvurceVysledku
  • Hradil, David
  • Hradilová, Janka
  • Serendan, Cristina
http://linked.open...vavai/riv/typAkce
http://linked.open...ain/vavai/riv/wos
  • 000288141200004
http://linked.open.../riv/zahajeniAkce
http://linked.open...n/vavai/riv/zamer
number of pages
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  • Akademie výtvarných umění, Praha
https://schema.org/isbn
  • 978-80-87108-14-7
http://localhost/t...ganizacniJednotka
  • 52810
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