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  • Five paintings of two authors, Johann Baptist Lampi elder and Johann Baptist Lampi younger were selected for a study by non-invasive analytical methods – portable XRF, FT-IR and UV-Vis spectroscopy. In some of these paintings the authorship has been uncertain, because the son adapted the style of his father very markedly. Although the mobile instrumental techniques did not provide a definite answer to the question of the authorship, it yielded very quick and objective confirmation of the originally proposed assignment. The most relevant output of the work is the highly probable difference in the usage of yellows by Lampi elder and Lampi younger. The results of non-invasive IR spectroscopy and XRF focused our attention to the need of more detailed analysis of yellows and greens (mixed from yellows and blues in all paintings).
  • Five paintings of two authors, Johann Baptist Lampi elder and Johann Baptist Lampi younger were selected for a study by non-invasive analytical methods – portable XRF, FT-IR and UV-Vis spectroscopy. In some of these paintings the authorship has been uncertain, because the son adapted the style of his father very markedly. Although the mobile instrumental techniques did not provide a definite answer to the question of the authorship, it yielded very quick and objective confirmation of the originally proposed assignment. The most relevant output of the work is the highly probable difference in the usage of yellows by Lampi elder and Lampi younger. The results of non-invasive IR spectroscopy and XRF focused our attention to the need of more detailed analysis of yellows and greens (mixed from yellows and blues in all paintings). (en)
  • Pět obrazů od dvou autorů, Johana Baptisty Lampiho staršího a mladšího, bylo vybráno ke srovnávacímu studiu neinvazivními analytickými metodami rtg-fluorescence, FT-IR a UV-Vis spektroskopie. U některých z těchto obrazů bylo přitom autorství nejasné, protože Lampi mladší napodoboval styl svého otce velmi výrazně. Ačkoliv mobilní neinvazivní metody nepřinesly definitivní odpověď v otázce autorství, umožnily velmi rychlé a objektivní potvrzení stávajících předpokladů. Jako nejvíce relevantní se ukázalo zjištění, že Lampi mladší pravděpodobně používal jiný typ Neapolské žlutě, než jeho otec. Výsledky tak umožnily efektivně modifikovat další postup výzkumu a vzorkování, s detailním zaměřením na žluté a zelené pigmenty. (cs)
Title
  • Malířská technika J. B Lampiho, otce a syna – ověřování jejich autorství (cs)
  • Painting technique of J.B. Lampi, father and son: verification of their authorship.
  • Painting technique of J.B. Lampi, father and son: verification of their authorship. (en)
skos:prefLabel
  • Malířská technika J. B Lampiho, otce a syna – ověřování jejich autorství (cs)
  • Painting technique of J.B. Lampi, father and son: verification of their authorship.
  • Painting technique of J.B. Lampi, father and son: verification of their authorship. (en)
skos:notation
  • RIV/60461446:52810/05:#0000012!RIV06-GA0-52810___
http://linked.open...avai/riv/aktivita
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  • P(GA203/04/2091), Z(MSM6046144603)
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  • 535317
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  • RIV/60461446:52810/05:#0000012
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  • non-invasive analytical methods, J.B. Lampi – father and son, Naples yellow (en)
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  • [ACBE696733E8]
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  • Bezdička, Petr
  • Grygar, Tomáš
  • Hradil, David
  • Hradilová, Janka
  • Šímová, Veronika
  • Fogaš, I.
  • Zmydlená, M.
  • Romano, A.
  • Bencini, D.
  • Cartechini, L.
  • Daffara, C.
  • Poggi, P.
  • Sassolini, A.
http://linked.open...n/vavai/riv/zamer
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  • 52810
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