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  • The employment of archive materials is clearly becoming the norm in contemporary art, yet the reasons for this practice vary fairly widely. For Central and East European artists, they include the forcible loss of a dominant interpretation of history and the sense that the preconditions of one’s own work must be established on one’s own. For the young Czech artist Dominik Lang there is, moreover, a purely personal motive: unlike most of his colleagues, he did not have to search for the ruins of Modernism in archives and storage rooms, as he was encountering them from early childhood in the studio of his father Jiří Lang. The focus of Lang’s „Expanded Anxiety“ (2013) is the work of the Czech Cubist sculptor Otto Gutfreund (1889-1927), whose significance for J. Lang is analogical to the significance of J. Lang for his son. From a certain viewpoint, then, D. Lang’s interpretation of Gutfreund’s work brings to a belated fruition his own father’s efforts in the 1950s to expand on the radical renewal of sculpture in the early decades of the century
  • The employment of archive materials is clearly becoming the norm in contemporary art, yet the reasons for this practice vary fairly widely. For Central and East European artists, they include the forcible loss of a dominant interpretation of history and the sense that the preconditions of one’s own work must be established on one’s own. For the young Czech artist Dominik Lang there is, moreover, a purely personal motive: unlike most of his colleagues, he did not have to search for the ruins of Modernism in archives and storage rooms, as he was encountering them from early childhood in the studio of his father Jiří Lang. The focus of Lang’s „Expanded Anxiety“ (2013) is the work of the Czech Cubist sculptor Otto Gutfreund (1889-1927), whose significance for J. Lang is analogical to the significance of J. Lang for his son. From a certain viewpoint, then, D. Lang’s interpretation of Gutfreund’s work brings to a belated fruition his own father’s efforts in the 1950s to expand on the radical renewal of sculpture in the early decades of the century (en)
Title
  • The Plane and Space
  • The Plane and Space (en)
skos:prefLabel
  • The Plane and Space
  • The Plane and Space (en)
skos:notation
  • RIV/60461071:_____/13:#0000332!RIV14-MSM-60461071
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • V
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 96354
http://linked.open...ai/riv/idVysledku
  • RIV/60461071:_____/13:#0000332
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • Space; Sculpture; Dominik Lang; Otto Gutfreund (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [4120B18614F4]
http://linked.open...i/riv/mistoVydani
  • Brno
http://linked.open...i/riv/nazevZdroje
  • Dominik Lang. Expanded Anxiety
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...v/pocetStranKnihy
http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
http://linked.open...iv/tvurceVysledku
  • Císař, Karel
number of pages
http://purl.org/ne...btex#hasPublisher
  • Moravská galerie v Brně
https://schema.org/isbn
  • 978-3-86895-292-6
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