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  • This essay argues that there is a tension in W. H. Auden's postwar poetry between his desire to speak for his epoch and his imaginative engagement in the particular landscapes and cultures of Ischia and Kirchstetten, where he had summer houses. He employed his %22epochal%22 style (the construction of a universal self, references to generic land- and cityscapes that blur national distinctions, his assumption that certain crises and preoccupations are shared across the globe, his development of what John Fuller refers to as a %22generalized symbolic form%22 in his poetry), in major sequences such as %22Thanksgiving for a Habitat%22 and %22Bucolics.%22 Countering this was his involvement in the local culture of Kirchstetten, as evidenced for instance in poems like %22Whitsunday in Kirchstetten,%22 %22Elegy,%22 and %22Josef Weinheber.%22 These poems are indices of conflicting forces in his imagination: the ambition to write an all-encompassing poetry of the %22age%22 and the %22world,%22 and an attention to the details of existence that cannot easily be inducted into the former.
  • This essay argues that there is a tension in W. H. Auden's postwar poetry between his desire to speak for his epoch and his imaginative engagement in the particular landscapes and cultures of Ischia and Kirchstetten, where he had summer houses. He employed his %22epochal%22 style (the construction of a universal self, references to generic land- and cityscapes that blur national distinctions, his assumption that certain crises and preoccupations are shared across the globe, his development of what John Fuller refers to as a %22generalized symbolic form%22 in his poetry), in major sequences such as %22Thanksgiving for a Habitat%22 and %22Bucolics.%22 Countering this was his involvement in the local culture of Kirchstetten, as evidenced for instance in poems like %22Whitsunday in Kirchstetten,%22 %22Elegy,%22 and %22Josef Weinheber.%22 These poems are indices of conflicting forces in his imagination: the ambition to write an all-encompassing poetry of the %22age%22 and the %22world,%22 and an attention to the details of existence that cannot easily be inducted into the former. (en)
Title
  • Auden International: Place, Language, and Cold-War Poetry
  • Auden International: Place, Language, and Cold-War Poetry (en)
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  • Auden International: Place, Language, and Cold-War Poetry
  • Auden International: Place, Language, and Cold-War Poetry (en)
skos:notation
  • RIV/49777513:23420/14:43924676!RIV15-MSM-23420___
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  • RIV/49777513:23420/14:43924676
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  • Cold War; transnationalism; translation; 1950-1970; poetry; Hannah Arendt; W. H. Auden (en)
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  • [238A77653641]
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  • Olomouc
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  • Olomouc
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  • The Rainbow of American Poetry : Proceedings of the 18th International Colloquium of American Studies
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  • Quinn, Justin
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  • Univerzita Palackého v Olomouci
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  • 978-80-244-4360-7
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  • 23420
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