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  • The international exhibition Gray Zones is focused on mutual communication between the exponent sof early post-modern visual arts arising from the milieu of Central European totalitarian regimes during the 1970s and 1980s (Ion Grigorescu, Sanja Iveković, Jiří Kovanda, Józef Robakowski, Mladen Stilinović), and a younger contemporary generation of artists who respond to the specifics of cultural model sof that period (Oskar Dawicki, Michal Moravčík, Tomo Savić Gecan, Kateřina Šedá). Presenting the early post-modern artistic production of the totalitarian era together with its redefinition from the point of view of contemporary artists can therefore be understood as an attempt to broaden the view of Central European visual arts development. However, in particular, it represents a contribution to the cognition of various historical, social, and cultural traditions of our, to a certain extent, still post-totalitarian milieu.
  • The international exhibition Gray Zones is focused on mutual communication between the exponent sof early post-modern visual arts arising from the milieu of Central European totalitarian regimes during the 1970s and 1980s (Ion Grigorescu, Sanja Iveković, Jiří Kovanda, Józef Robakowski, Mladen Stilinović), and a younger contemporary generation of artists who respond to the specifics of cultural model sof that period (Oskar Dawicki, Michal Moravčík, Tomo Savić Gecan, Kateřina Šedá). Presenting the early post-modern artistic production of the totalitarian era together with its redefinition from the point of view of contemporary artists can therefore be understood as an attempt to broaden the view of Central European visual arts development. However, in particular, it represents a contribution to the cognition of various historical, social, and cultural traditions of our, to a certain extent, still post-totalitarian milieu. (en)
Title
  • Gray Zones
  • Gray Zones (en)
skos:prefLabel
  • Gray Zones
  • Gray Zones (en)
skos:notation
  • RIV/44555601:13530/06:00005080!RIV10-MSM-13530___
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • R
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 477292
http://linked.open...ai/riv/idVysledku
  • RIV/44555601:13530/06:00005080
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • Post-modernism; visual art; cultural models; contemporary art-scene; Central Europe; exhibition (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [E9C336AD7C84]
http://linked.open...v/mistoKonaniAkce
  • Leipzig
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...ocetUcastnikuAkce
http://linked.open...nichUcastnikuAkce
http://linked.open...UplatneniVysledku
http://linked.open...iv/statKonaniAkce
http://linked.open...iv/tvurceVysledku
  • Koleček, Michal
http://linked.open...vavai/riv/typAkce
http://linked.open.../riv/ukonceniAkce
http://linked.open.../riv/zahajeniAkce
http://localhost/t...ganizacniJednotka
  • 13530
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