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Description
  • This essay examines short film production in Czechoslovakia in the late 1940s and early 1950s, examining how power structures and the imperatives of the commissioning production system influenced film content, form, and style. Considering the editorial boards to have been the most influential agents in this process, the essay focuses on their motivations as well as those of others involved therein. State archives, filmmaker's personal collections, and editorial board meeting reports reveal how filmmakers and the editorial boards clashed over ideological issues and time pressure. An analysis of the boards' editorial criteria also reveals which professional standards were valued within this system. These included an emphasis on documentary's educational and ideological values, on the popular hero, on recycling as much stock footage as possible, and on emulating Soviet documentaries.
  • This essay examines short film production in Czechoslovakia in the late 1940s and early 1950s, examining how power structures and the imperatives of the commissioning production system influenced film content, form, and style. Considering the editorial boards to have been the most influential agents in this process, the essay focuses on their motivations as well as those of others involved therein. State archives, filmmaker's personal collections, and editorial board meeting reports reveal how filmmakers and the editorial boards clashed over ideological issues and time pressure. An analysis of the boards' editorial criteria also reveals which professional standards were valued within this system. These included an emphasis on documentary's educational and ideological values, on the popular hero, on recycling as much stock footage as possible, and on emulating Soviet documentaries. (en)
Title
  • A School of Opportunism. Short Filmmakers Caught in a Web of Commissions and Dealings
  • A School of Opportunism. Short Filmmakers Caught in a Web of Commissions and Dealings (en)
skos:prefLabel
  • A School of Opportunism. Short Filmmakers Caught in a Web of Commissions and Dealings
  • A School of Opportunism. Short Filmmakers Caught in a Web of Commissions and Dealings (en)
skos:notation
  • RIV/00216224:14210/14:00078404!RIV15-MSM-14210___
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • P(EE2.3.30.0009), S
http://linked.open...iv/cisloPeriodika
  • 3
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 1151
http://linked.open...ai/riv/idVysledku
  • RIV/00216224:14210/14:00078404
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • Czech nonfiction film; Czech documentary film; useful cinema; nontheatrical film (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...odStatuVydavatele
  • CZ - Česká republika
http://linked.open...ontrolniKodProRIV
  • [FCBC39D6565D]
http://linked.open...i/riv/nazevZdroje
  • Iluminace : časopis pro teorii, historii a estetiku filmu
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...vavai/riv/projekt
http://linked.open...UplatneniVysledku
http://linked.open...v/svazekPeriodika
  • 26
http://linked.open...iv/tvurceVysledku
  • Česálková, Lucie
issn
  • 0862-397X
number of pages
http://localhost/t...ganizacniJednotka
  • 14210
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