About: Materiality of Sound and Text (Jiří Veltruský meets Bob Wilson)

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About: Materiality of Sound and Text (Jiří Veltruský meets Bob Wilson) Goto Sponge NotDistinct Permalink

An Entity of Type : http://linked.opendata.cz/ontology/domain/vavai/Vysledek, within Data Space : linked.opendata.cz associated with source document(s)

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rdf:type	skos:Concept http://linked.opendata.cz/ontology/domain/vavai/Vysledek
Description	In the theoretical texts by Jiří Veltruský (1919-1994), one of the most important theatre scholars connected with Prague Linguistic Circle, the text/textual element is a crucial component in the complex interplay of material and immaterial components of the theatre production. In his essays %22Dramatic text as Component of Theatre%22 (first version in Czech 1941, English version 1976) or %22Sound Qualities of the Text and Actors Performance%22 (1991) and posthumous An Approach to the Semiotics of Theatre (2012), the position of the (dramatic) text might seem even overestimated from a contemporary point of view. The dramatic text has lost its prominent position - performance is often considered as an autonomous act of the director and the actors, who create their own theatrical world that also includes the text. But criticism hardly ever discusses the details of this appropriation (such as cuts, rewritings and other textual changes). In the theoretical texts by Jiří Veltruský (1919-1994), one of the most important theatre scholars connected with Prague Linguistic Circle, the text/textual element is a crucial component in the complex interplay of material and immaterial components of the theatre production. In his essays %22Dramatic text as Component of Theatre%22 (first version in Czech 1941, English version 1976) or %22Sound Qualities of the Text and Actors Performance%22 (1991) and posthumous An Approach to the Semiotics of Theatre (2012), the position of the (dramatic) text might seem even overestimated from a contemporary point of view. The dramatic text has lost its prominent position - performance is often considered as an autonomous act of the director and the actors, who create their own theatrical world that also includes the text. But criticism hardly ever discusses the details of this appropriation (such as cuts, rewritings and other textual changes). (en)
Title	Materiality of Sound and Text (Jiří Veltruský meets Bob Wilson) Materiality of Sound and Text (Jiří Veltruský meets Bob Wilson) (en)
skos:prefLabel	Materiality of Sound and Text (Jiří Veltruský meets Bob Wilson) Materiality of Sound and Text (Jiří Veltruský meets Bob Wilson) (en)
skos:notation	RIV/00216224:14210/14:00074247!RIV15-GA0-14210___
http://linked.open...avai/riv/aktivita	P
http://linked.open...avai/riv/aktivity	P(GAP409/11/1082)
http://linked.open...vai/riv/dodaniDat	2015
http://linked.open...aciTvurceVysledku	Drozd, David
http://linked.open.../riv/druhVysledku	O - Ostatní výsledky nezařaditelné do žádného z výše uvedených druhů výsledku
http://linked.open...iv/duvernostUdaju	S - Úplné a pravdivé údaje nepodléhající ochraně podle zvláštních právních předpisů
http://linked.open...titaPredkladatele	Masarykova univerzita / Filozofická fakulta
http://linked.open...dnocenehoVysledku	27583
http://linked.open...ai/riv/idVysledku	RIV/00216224:14210/14:00074247
http://linked.open...riv/jazykVysledku	eng - angličtina
http://linked.open.../riv/klicovaSlova	Jiří Veltruský; Robert Wilson; performance analysis; structural analysis; materiality of text (en)
http://linked.open.../riv/klicoveSlovo	Jiří Veltruský performance analysis structural analysis materiality of text Robert Wilson
http://linked.open...ontrolniKodProRIV	[DF1298D8269D]
http://linked.open...in/vavai/riv/obor	AL
http://linked.open...ichTvurcuVysledku	1 (xsd:int)
http://linked.open...cetTvurcuVysledku	1 (xsd:int)
http://linked.open...vavai/riv/projekt	Czech Structuralist Thought on Theatre: context and potency
http://linked.open...UplatneniVysledku	2014
http://linked.open...iv/tvurceVysledku	Drozd, David
http://localhost/t...ganizacniJednotka	14210

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