About: Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect

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About: Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect Goto Sponge NotDistinct Permalink

An Entity of Type : http://linked.opendata.cz/ontology/domain/vavai/Vysledek, within Data Space : linked.opendata.cz associated with source document(s)

Attributes	Values
rdf:type	skos:Concept http://linked.opendata.cz/ontology/domain/vavai/Vysledek
rdfs:seeAlso	http://www.cafe-neu-romance.com/press-media/cnr-2013/cnr-2013-lectures-jana-horakova-(cze)
Description	I would like to deal with the blind spot in the spectrum of ROBOTS' interpretations. So far, Robots have been taken as a natural part of our culture. We can meet with them on movie screens, on pages of sci-fi magazines and books, in toyshops and household appliances shops, or in factories, we can see them in rescue operations and space expeditions on TV, etc. However, the original Robots, the drama characters, which were for the first time introduced to the world in the play R. U. R., Rossum's Universal Robots (1920/21) by Karel Capek, has been escaping serious analyses from the aesthetics point of view. Therefore, I would like to go back to the roots of the Robot's meaning, to introduce the Robot as a special kind of artistic medium. The Robot will be analysed within the perspective of semiology of theatre, and semiology of fakes and forgeries. I would like to deal with the blind spot in the spectrum of ROBOTS' interpretations. So far, Robots have been taken as a natural part of our culture. We can meet with them on movie screens, on pages of sci-fi magazines and books, in toyshops and household appliances shops, or in factories, we can see them in rescue operations and space expeditions on TV, etc. However, the original Robots, the drama characters, which were for the first time introduced to the world in the play R. U. R., Rossum's Universal Robots (1920/21) by Karel Capek, has been escaping serious analyses from the aesthetics point of view. Therefore, I would like to go back to the roots of the Robot's meaning, to introduce the Robot as a special kind of artistic medium. The Robot will be analysed within the perspective of semiology of theatre, and semiology of fakes and forgeries. (en)
Title	Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect (en)
skos:prefLabel	Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect (en)
skos:notation	RIV/00216224:14210/13:00070973!RIV14-MSM-14210___
http://linked.open...avai/riv/aktivita	S
http://linked.open...avai/riv/aktivity	S
http://linked.open...vai/riv/dodaniDat	2014
http://linked.open...aciTvurceVysledku	Horáková, Jana
http://linked.open.../riv/druhVysledku	O - Ostatní výsledky nezařaditelné do žádného z výše uvedených druhů výsledku
http://linked.open...iv/duvernostUdaju	S - Úplné a pravdivé údaje nepodléhající ochraně podle zvláštních právních předpisů
http://linked.open...titaPredkladatele	Masarykova univerzita / Filozofická fakulta
http://linked.open...dnocenehoVysledku	74583
http://linked.open...ai/riv/idVysledku	RIV/00216224:14210/13:00070973
http://linked.open...riv/jazykVysledku	eng - angličtina
http://linked.open.../riv/klicovaSlova	fakes; forgeries; robots; comedy of substitution; theatre of affect (en)
http://linked.open.../riv/klicoveSlovo	forgeries comedy of substitution fakes theatre of affect robots
http://linked.open...ontrolniKodProRIV	[6F85B67A4A43]
http://linked.open...in/vavai/riv/obor	AL
http://linked.open...ichTvurcuVysledku	1 (xsd:int)
http://linked.open...cetTvurcuVysledku	1 (xsd:int)
http://linked.open...UplatneniVysledku	2013
http://linked.open...iv/tvurceVysledku	Horáková, Jana
http://localhost/t...ganizacniJednotka	14210

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