About: Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia

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About: Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia Goto Sponge NotDistinct Permalink

An Entity of Type : http://linked.opendata.cz/ontology/domain/vavai/Vysledek, within Data Space : linked.opendata.cz associated with source document(s)

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rdfs:seeAlso	http://www.senatehouselibrary.ac.uk/2013/12/04/london-screenwriting-research-seminar-writing-for-the-red-screen-senate-house-51213/
Description	This talk will explore screenwriting practice in the state-socialist regime of former Czechoslovakia from a production-studies perspective, taking as an example the new-wave screenwriter and director Pavel Juráček and his mentor František (Frank) Daniel to describe the structural position of screenwriter and institutional conditions for artistic innovation in that production system in the 1950s and 1960s. More generally, it will touch on the social and cultural logics of collaborative creative work under political influence. In terms of sources, it will discuss how empirical historical research in screenwriting can be undertaken by making sense of the vast screenplay collections and personal files in several Prague archives. This talk will explore screenwriting practice in the state-socialist regime of former Czechoslovakia from a production-studies perspective, taking as an example the new-wave screenwriter and director Pavel Juráček and his mentor František (Frank) Daniel to describe the structural position of screenwriter and institutional conditions for artistic innovation in that production system in the 1950s and 1960s. More generally, it will touch on the social and cultural logics of collaborative creative work under political influence. In terms of sources, it will discuss how empirical historical research in screenwriting can be undertaken by making sense of the vast screenplay collections and personal files in several Prague archives. (en)
Title	Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia (en)
skos:prefLabel	Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia (en)
skos:notation	RIV/00216224:14210/13:00066691!RIV14-GA0-14210___
http://linked.open...avai/riv/aktivita	P
http://linked.open...avai/riv/aktivity	P(GAP409/10/1361)
http://linked.open...vai/riv/dodaniDat	2014
http://linked.open...aciTvurceVysledku	Szczepanik, Petr
http://linked.open.../riv/druhVysledku	O - Ostatní výsledky nezařaditelné do žádného z výše uvedených druhů výsledku
http://linked.open...iv/duvernostUdaju	S - Úplné a pravdivé údaje nepodléhající ochraně podle zvláštních právních předpisů
http://linked.open...titaPredkladatele	Masarykova univerzita / Filozofická fakulta
http://linked.open...dnocenehoVysledku	117536
http://linked.open...ai/riv/idVysledku	RIV/00216224:14210/13:00066691
http://linked.open...riv/jazykVysledku	eng - angličtina
http://linked.open.../riv/klicovaSlova	screenwriting; Stalinism; State-socialist Mode of Film Production; Film Studios Barrandov (en)
http://linked.open.../riv/klicoveSlovo	Stalinism Film Studios Barrandov State-socialist Mode of Film Production screenwriting
http://linked.open...ontrolniKodProRIV	[87C1F89FE0D8]
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http://linked.open...cetTvurcuVysledku	1 (xsd:int)
http://linked.open...vavai/riv/projekt	History of Barrandov Studios in Terms of Organization and Culture of Film Production
http://linked.open...UplatneniVysledku	2013
http://linked.open...iv/tvurceVysledku	Szczepanik, Petr
http://localhost/t...ganizacniJednotka	14210

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