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  • This essay explores the inner workings and power dynamics involved in story development in the history of Czech cinema. It focuses on the political history of screenplay development practices and formats, especially on the %22Literary Screenplay%22. This Soviet-inspired screenplay type was introduced to Eastern Europe in the late-Stalinist era to attract literary authors to write for the screen, to elevate the cultural status of the screenplay, and to facilitate pre-censorship. The primary means by which communist ideologues sought to reform screenwriting was the dramaturgy, organized in a complex hierarchy of dramaturgical institutions with the state or central dramaturgy at the top and %22units%22 at the bottom. In the state-controlled system of production, the dramaturg or unit head supervising four dramaturgs was a close equivalent to a producer albeit without the usual financial, green-lighting, and marketing responsibilities, which were held by the state or by the Party and its representatives.
  • This essay explores the inner workings and power dynamics involved in story development in the history of Czech cinema. It focuses on the political history of screenplay development practices and formats, especially on the %22Literary Screenplay%22. This Soviet-inspired screenplay type was introduced to Eastern Europe in the late-Stalinist era to attract literary authors to write for the screen, to elevate the cultural status of the screenplay, and to facilitate pre-censorship. The primary means by which communist ideologues sought to reform screenwriting was the dramaturgy, organized in a complex hierarchy of dramaturgical institutions with the state or central dramaturgy at the top and %22units%22 at the bottom. In the state-controlled system of production, the dramaturg or unit head supervising four dramaturgs was a close equivalent to a producer albeit without the usual financial, green-lighting, and marketing responsibilities, which were held by the state or by the Party and its representatives. (en)
Title
  • How Many Steps to the Shooting Script? A Political History of Screenwriting
  • How Many Steps to the Shooting Script? A Political History of Screenwriting (en)
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  • How Many Steps to the Shooting Script? A Political History of Screenwriting
  • How Many Steps to the Shooting Script? A Political History of Screenwriting (en)
skos:notation
  • RIV/00216224:14210/13:00066675!RIV14-GA0-14210___
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • P(GAP409/10/1361)
http://linked.open...iv/cisloPeriodika
  • č. 3
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 78144
http://linked.open...ai/riv/idVysledku
  • RIV/00216224:14210/13:00066675
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • screenwriting; Stalinism; State-socialist Mode of Film Production; Film Studios Barrandov (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...odStatuVydavatele
  • CZ - Česká republika
http://linked.open...ontrolniKodProRIV
  • [4DBA027303B5]
http://linked.open...i/riv/nazevZdroje
  • Iluminace : časopis pro teorii, historii a estetiku filmu
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...vavai/riv/projekt
http://linked.open...UplatneniVysledku
http://linked.open...v/svazekPeriodika
  • roč. 25
http://linked.open...iv/tvurceVysledku
  • Szczepanik, Petr
issn
  • 0862-397X
number of pages
http://localhost/t...ganizacniJednotka
  • 14210
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