About: How many steps to the shooting script? A political history of scriptwriting

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An Entity of Type : http://linked.opendata.cz/ontology/domain/vavai/Vysledek, within Data Space : linked.opendata.cz associated with source document(s)

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rdf:type	skos:Concept http://linked.opendata.cz/ontology/domain/vavai/Vysledek
Description	Inspired by Staiger s concept of continuity script as a production blueprint, this paper goes further and asks what can development regimes and formats tell us about modes of production and production cultures. It is based on a serial analysis of 30 Czech scenarios and screenplays from the 1920s-1970s, complemented by sets of their development forms (thematic plans, loglines, synopsis, treatments, etc.). Historical shifts from loose scenarios of the 1920s to continuity scripts of the 1930s, to bureaucratization of script development under Nazis and Stalinism, and back to flexible directors' scripts in the late 1950s and 1960s prove that scriptwriting history is perhaps the most telling story of creativity under economic and political influence. It also reveals crucial differences between production modes in Hollywood and Europe, or, in the West and the East - by showing how %22tame%22 scriptwriters operated vis a vis (always more powerful) directors, producers and censors. Inspired by Staiger s concept of continuity script as a production blueprint, this paper goes further and asks what can development regimes and formats tell us about modes of production and production cultures. It is based on a serial analysis of 30 Czech scenarios and screenplays from the 1920s-1970s, complemented by sets of their development forms (thematic plans, loglines, synopsis, treatments, etc.). Historical shifts from loose scenarios of the 1920s to continuity scripts of the 1930s, to bureaucratization of script development under Nazis and Stalinism, and back to flexible directors' scripts in the late 1950s and 1960s prove that scriptwriting history is perhaps the most telling story of creativity under economic and political influence. It also reveals crucial differences between production modes in Hollywood and Europe, or, in the West and the East - by showing how %22tame%22 scriptwriters operated vis a vis (always more powerful) directors, producers and censors. (en)
Title	How many steps to the shooting script? A political history of scriptwriting How many steps to the shooting script? A political history of scriptwriting (en)
skos:prefLabel	How many steps to the shooting script? A political history of scriptwriting How many steps to the shooting script? A political history of scriptwriting (en)
skos:notation	RIV/00216224:14210/12:00058331!RIV13-GA0-14210___
http://linked.open...avai/riv/aktivita	P
http://linked.open...avai/riv/aktivity	P(GAP409/10/1361)
http://linked.open...vai/riv/dodaniDat	2013
http://linked.open...aciTvurceVysledku	Szczepanik, Petr
http://linked.open.../riv/druhVysledku	O - Ostatní výsledky nezařaditelné do žádného z výše uvedených druhů výsledku
http://linked.open...iv/duvernostUdaju	S - Úplné a pravdivé údaje nepodléhající ochraně podle zvláštních právních předpisů
http://linked.open...titaPredkladatele	Masarykova univerzita / Filozofická fakulta
http://linked.open...dnocenehoVysledku	139683
http://linked.open...ai/riv/idVysledku	RIV/00216224:14210/12:00058331
http://linked.open...riv/jazykVysledku	eng - angličtina
http://linked.open.../riv/klicovaSlova	screenwriting; film production; socialism; East-Central Europe (en)
http://linked.open.../riv/klicoveSlovo	East-Central Europe film production socialism screenwriting
http://linked.open...ontrolniKodProRIV	[221E26CFF327]
http://linked.open...in/vavai/riv/obor	AL
http://linked.open...ichTvurcuVysledku	1 (xsd:int)
http://linked.open...cetTvurcuVysledku	1 (xsd:int)
http://linked.open...vavai/riv/projekt	History of Barrandov Studios in Terms of Organization and Culture of Film Production
http://linked.open...UplatneniVysledku	2012
http://linked.open...iv/tvurceVysledku	Szczepanik, Petr
http://localhost/t...ganizacniJednotka	14210

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