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  • Vocal music in the works of Boris Ivanovich Tischenko takes značitelnejšee place. In addition to large vocal-symphonic works (symphony %22Marina%22Requiem to the poems of anna akhmatova, Sixth symphony), peru Tishchenko belongs to the five cycles for voice and piano, as well as a number of vocal ensembles for other compositions. One of the most important components of the concept of the %22Requiem%22 of anna Akhmatova-Tischenko are the problems of morality, the struggle of good and evil in the field of human souls, so topical for the 20TH century, as well as memory and eternal dialogue times and styles. Tishchenko not only sensitively %22read%22 and %22sound %22text Akhmatova, but also highlighted in it additional senses, historical and stylistic associative series, and implications. Tishenko many of the works are constructed on the basis of mutual penetration of genres. So, in the vocal cycle %22DRAWING%22 repeatedly, you can observe the upgrading and the enrichment of one genre to another (the way it sometimes carries out the search of new genres and in all the history of music). Thanks to a combination of genres in the vocal cycle is achieved by multiple interpretations not only shaped the world each part, but also of the programme of work. (en)
  • Vokalnaja mуzyka v tvorčestve Borisa Ivanoviča Tiščenko zanimaet značitelnejšee mesto. Pomimo krуpnych vokalno-simfoničeskich opуsov (simfonija ((Marina}}, Rekviem na stichi A.Achmatovoj, Šestaja simfonija), perу Tiščenko prinadležit pjat ciklov dlja golosa i fortepiano, a takže rjad vokalnych ansamblej dlja drуgich sostavov. Odnimi iz važnejšich sostavljajuščich koncepcii ((Rekviema}} Achmatovoj-Tiščenko javljajutsja problemy nravstvennosti, borby dobra i zla na pole ljudskich dуš, stol aktуalnye dlja ChCh veka, a takže pamjati i večnogo dialoga vremen i stilej. Tiščenko ne tolko čуtko ((pročel}} i ((ozvуčil}} tekst Achmatovoj, no i vysvetil v nem dopolnitelnye smysly, istoričeskie i stilevye associativnye rjady i podteksty. U Tiščenko mnogie proizvedenija strojatsja na osnove vzaimoproniknovenija žanrov. Tak, v vokalnom cikle ((ČERTËŽ}} mnogokratno možno nabljudat obnovlenie i obogaščenie odnogo žanra drуgim (ved imenno tak podčas osуščestvljaet sebja poisk novych žanrov i vo vsej istorii mуzyki). Blagodarja sočetaniju žanrov v vokalnom cikle dostigaetsja mnogoznačnost tolkovanija ne tolko obraznogo mira každoj časti, no i vsej programmy proizvedenija.
Title
  • Boris Tishchenko: worlds of sense in times and Cultures (en)
  • Boris Ivanovic Tischenko: miry smislov v prostranstve vremen i kultur
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  • Boris Tishchenko: worlds of sense in times and Cultures (en)
  • Boris Ivanovic Tischenko: miry smislov v prostranstve vremen i kultur
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  • RIV/00216208:11410/11:10106127!RIV12-MSM-11410___
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  • Basalaeva, Naděžda
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  • Cultures; times; sense; worlds; Tishchenko; Boris (en)
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  • Boris Ivanovic Tischenko: miry smislov v prostranstve vremen i kultur
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  • Basalaeva, Naděžda
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  • LAP Lambert Academic Publishing
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  • 978-3-8465-5547-7
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  • 11410
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