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| - The first attempt at the physiognomy of a particular text is realized on the chapter %22In the Cathedral%22 from Franz Kafka's The Trial (1925). To avoid traditional interpretation of famous %22Kafkaesque themes,%22 I focused on a detailed examination of the narrative scene, e.g. the space of the cathedral which I propose as a visual mode shaping the writing of Kafka's text. This mode is represented by the architecture of the Gothic cathedral, the principles of which were formulated by art historian Wilhelm Worringer in relation to his notion of %22the Gothic will to form,%22 and which are embodied in the figure of ornament. The space of the cathedral (interpreted as an %22invention of writing,%22 not a real construction), a place of %22an exalted hysteria%22 where a %22senseless rage of expression%22 flows, as Worringer puts it, created by gothic lines resigning from representation, inspires an approach to literary speech not from the point of view of its message, but its motion and physiognomy. This staged encounter of literary speech and Gothic space, two phenomena which mutually produce each other, allows for experimentation and a possibility to avoid classical interpretation focusing on the historical context or the author's work. Instead, it opens a way to concentrate on the anonymous %22movement of writing,%22 which runs through the text, and on the understanding of its visuality and its resonance with space. A dynamic and complex current flowing without any given intention, a chaotic tangle of lines, a missing center, vertigo, pathos, expression prevailing over meaning - such are the principles of both Worringer's Gothic and Kafka's writing. (en)
- Studie přináší interpretaci kapitoly %22V chrámu%22 románu Proces skrze určitý vizuální modus, který v tomto textu Kafkovo psaní tvaruje. Tímto modem je architektura gotické katedrály, jak její principy zformuloval historik umění Wilhelm Worringer a jak je ztělesňuje figura ornamentu. Největší pozornost je zde věnována slavnému monologu %22Před zákonem%22 a způsobu, jakým na sebe vzájemně působí literární řeč a gotický prostor, v němž se tato řeč odehrává. Jde tedy o sledování pohybu psaní, jež daným textem prochází, o zachycení jeho vizuality a rezonanci s prostorem, jinými slovy o tzv. fyziognomii psaní. Přestože je tato studie určitým experimentem, pokusem vyhnout se klasické interpretaci v intencích daného kontextu či autorova díla, historické pozadí Kafkova románu neopomíjí. Podstatná část se totiž zaměřuje na modernistické koncepty ornamentu ve střední Evropě, jež sehrávají pro četbu Kafkova textu významnou roli.
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| Title
| - Fizjonomia pisania w Procesie Franza Kafki
- From perfumed moustache to the ornaments of language: Physiognomy of writing in Franz Kafkas Trial (en)
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| - Fizjonomia pisania w Procesie Franza Kafki
- From perfumed moustache to the ornaments of language: Physiognomy of writing in Franz Kafkas Trial (en)
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| skos:notation
| - RIV/00216208:11210/12:10127777!RIV13-MSM-11210___
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| http://linked.open...avai/riv/aktivita
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| http://linked.open...avai/riv/aktivity
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| http://linked.open...iv/cisloPeriodika
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| http://linked.open...vai/riv/dodaniDat
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| http://linked.open...aciTvurceVysledku
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| http://linked.open.../riv/druhVysledku
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| http://linked.open...iv/duvernostUdaju
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| http://linked.open...titaPredkladatele
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| http://linked.open...dnocenehoVysledku
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| http://linked.open...ai/riv/idVysledku
| - RIV/00216208:11210/12:10127777
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| http://linked.open...riv/jazykVysledku
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| http://linked.open.../riv/klicovaSlova
| - Ornament; Gothic Cathedral; Wilhelm Worringer; Franz Kafka; Architexture; Physiognomy of Writing (en)
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| http://linked.open.../riv/klicoveSlovo
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| http://linked.open...odStatuVydavatele
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| http://linked.open...ontrolniKodProRIV
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| http://linked.open...i/riv/nazevZdroje
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| http://linked.open...in/vavai/riv/obor
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| http://linked.open...ichTvurcuVysledku
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| http://linked.open...cetTvurcuVysledku
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| http://linked.open...UplatneniVysledku
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| http://linked.open...v/svazekPeriodika
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| http://linked.open...iv/tvurceVysledku
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| http://localhost/t...ganizacniJednotka
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