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  • The article analyses Canadian playwright Drew Hayden Taylor''s %22Blues Quartet%22 of Indigenous comedies, The Bootlegger Blues, The Baby Blues, Buz''Gem Blues, and Berlin Blues, and discusses the issues of cultural particularity, versus universality of humour as a powerful, and indeed far-reaching, communication, as well as artistic, practice. In the context of contemporary Aboriginal theatre in both Canada and the US, humour appears to serve as a linguistic and situational foundation, upon which inter-cultural understanding is typically made possible, by adverting to cultural specificities and (potentially laughable) idiosyncrasies.
  • The article analyses Canadian playwright Drew Hayden Taylor''s %22Blues Quartet%22 of Indigenous comedies, The Bootlegger Blues, The Baby Blues, Buz''Gem Blues, and Berlin Blues, and discusses the issues of cultural particularity, versus universality of humour as a powerful, and indeed far-reaching, communication, as well as artistic, practice. In the context of contemporary Aboriginal theatre in both Canada and the US, humour appears to serve as a linguistic and situational foundation, upon which inter-cultural understanding is typically made possible, by adverting to cultural specificities and (potentially laughable) idiosyncrasies. (en)
Title
  • Universalizing Humour: Drew Hayden Taylor''s Indigenous Comedy
  • Universalizing Humour: Drew Hayden Taylor''s Indigenous Comedy (en)
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  • Universalizing Humour: Drew Hayden Taylor''s Indigenous Comedy
  • Universalizing Humour: Drew Hayden Taylor''s Indigenous Comedy (en)
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  • RIV/00216208:11210/11:10104393!RIV12-MSM-11210___
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  • Z(MSM0021620824)
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  • 236861
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  • RIV/00216208:11210/11:10104393
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  • Comedy; Indigenous; Taylors; Hayden; Drew; Humour; Universalizing (en)
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  • [ED92B830A6C6]
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  • Poland
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  • Embracing Otherness: Canadian Minority Discourses in Transcultural Perspective
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  • Kolinská, Klára
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  • Torun
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  • 978-83-7611-759-1
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  • 11210
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