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| Description
| - Současná divadelní teorie pracuje s předpokladem, že intermedialita - ve smyslu zapojení médií jako jsou film, video a digitální technologie do divadelního představení - je schopna narušit dominantní logiku zobrazování a odhalit konvence, díky nimž diváci taková zobrazení vnímají jako transparentní. Zatímco divadlo v těchto případech upozorňuje na procesy mediace, ono samo podle této teorie překvapivě zůstává zcela transparentní. Přítomná kapitola zkoumá toto paradoxní tvrzení na případě opery Rosa: A Horse Drama, která vznikla ve spolupráci nizozemského skladatele Louise Andriessena a britského filmového režiséra Petera Greenawaye a byla premiérována v Amsterdamu v roce 1994. Díky všudypřítomným projekcím textu i obrazu na několika plátnech najednou se tato opera zdá být ztělesněním intermediality v současném hudebním divadle. Jak se však pokusím dokázat, Rosa odhaluje divácké návyky nejen ve vztahu k použitým médiím (a to především k filmu), ale také co se týče divadla samotného. S její pomocí lze d (cs)
- In recent theatre and performance theory, intermediality-which is understood as the incorporation of media such as film, video and digital technologies into theatrical performances-has been endowed with the ability to disrupt the dominant logic of representation and to expose its transparent viewing conventions. While drawing attention to the processes of mediation within the media it incorporates, theatre itself figures as a surprisingly transparent medium in these theorizations. In this chapter, I examine this paradoxical contention by looking at Rosa: A Horse Drama, an opera by Dutch composer Louis Andriessen and British filmmaker Peter Greenaway that premiered in Amsterdam in 1994. With its ubiquitous projections of text, still and moving images on multiple screens, Rosa seems to be the epitome of intermediality in contemporary music theatre. However, I argue that this opera exposes the viewing conventions of not only the media it incorporates (most notably film) but also theatre itself. Rosa help
- In recent theatre and performance theory, intermediality-which is understood as the incorporation of media such as film, video and digital technologies into theatrical performances-has been endowed with the ability to disrupt the dominant logic of representation and to expose its transparent viewing conventions. While drawing attention to the processes of mediation within the media it incorporates, theatre itself figures as a surprisingly transparent medium in these theorizations. In this chapter, I examine this paradoxical contention by looking at Rosa: A Horse Drama, an opera by Dutch composer Louis Andriessen and British filmmaker Peter Greenaway that premiered in Amsterdam in 1994. With its ubiquitous projections of text, still and moving images on multiple screens, Rosa seems to be the epitome of intermediality in contemporary music theatre. However, I argue that this opera exposes the viewing conventions of not only the media it incorporates (most notably film) but also theatre itself. Rosa help (en)
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| Title
| - Do You Want to Be Absorbed? The Knotty Acts of Mediation in Rosa: A Horse Drama
- Do You Want to Be Absorbed? The Knotty Acts of Mediation in Rosa: A Horse Drama (en)
- Necháte se vtáhnout? Komplexní akty mediace v opeře Rosa: A Horse Drama (cs)
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| skos:prefLabel
| - Do You Want to Be Absorbed? The Knotty Acts of Mediation in Rosa: A Horse Drama
- Do You Want to Be Absorbed? The Knotty Acts of Mediation in Rosa: A Horse Drama (en)
- Necháte se vtáhnout? Komplexní akty mediace v opeře Rosa: A Horse Drama (cs)
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| skos:notation
| - RIV/00216208:11210/08:00102937!RIV09-MSM-11210___
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| http://linked.open...avai/riv/aktivita
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| http://linked.open...avai/riv/aktivity
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| http://linked.open...vai/riv/dodaniDat
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| http://linked.open...aciTvurceVysledku
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| http://linked.open.../riv/druhVysledku
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| http://linked.open...iv/duvernostUdaju
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| http://linked.open...titaPredkladatele
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| http://linked.open...dnocenehoVysledku
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| http://linked.open...ai/riv/idVysledku
| - RIV/00216208:11210/08:00102937
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| http://linked.open...riv/jazykVysledku
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| http://linked.open.../riv/klicovaSlova
| - Absorbed; Knotty; Mediation; Horse; Drama (en)
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| http://linked.open.../riv/klicoveSlovo
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| http://linked.open...ontrolniKodProRIV
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| http://linked.open...i/riv/mistoVydani
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| http://linked.open...vEdiceCisloSvazku
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| http://linked.open...i/riv/nazevZdroje
| - Sonic Mediations: Body, Sound, Technology
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| http://linked.open...in/vavai/riv/obor
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| http://linked.open...ichTvurcuVysledku
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| http://linked.open...v/pocetStranKnihy
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| http://linked.open...cetTvurcuVysledku
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| http://linked.open...UplatneniVysledku
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| http://linked.open...iv/tvurceVysledku
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| http://linked.open...n/vavai/riv/zamer
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| number of pages
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| http://purl.org/ne...btex#hasPublisher
| - Cambridge Scholars Publishing
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| https://schema.org/isbn
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| http://localhost/t...ganizacniJednotka
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