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  • The paper focuses on modal, serial and interval musical composition with references to Alois Piňos' generalizing theoretical work. Modality (e.g., a lot of classical European music) stems from selections of tones (rarely: intervals-pitches); the series of tones (especially melodies) are secondary. Serialism stems from selections of series (e.g. common serialism); the tone background is secondary. In one musical composition, a piece of musical segment might be exploited both ways, with different amount of demonstrativeness.
  • The paper focuses on modal, serial and interval musical composition with references to Alois Piňos' generalizing theoretical work. Modality (e.g., a lot of classical European music) stems from selections of tones (rarely: intervals-pitches); the series of tones (especially melodies) are secondary. Serialism stems from selections of series (e.g. common serialism); the tone background is secondary. In one musical composition, a piece of musical segment might be exploited both ways, with different amount of demonstrativeness. (en)
  • The paper focuses on modal, serial and interval musical composition with references to Alois Piňos' generalizing theoretical work. Modality (e.g., a lot of classical European music) stems from selections of tones (rarely: intervals-pitches); the series of tones (especially melodies) are secondary. Serialism stems from selections of series (e.g. common serialism); the tone background is secondary. In one musical composition, a piece of musical segment might be exploited both ways, with different amount of demonstrativeness. (cs)
Title
  • Modalization, Serialization and Intervalization
  • Modalization, Serialization and Intervalization (en)
  • Modalization, Serialization and Intervalization (cs)
skos:prefLabel
  • Modalization, Serialization and Intervalization
  • Modalization, Serialization and Intervalization (en)
  • Modalization, Serialization and Intervalization (cs)
skos:notation
  • RIV/00216224:14210/08:00038452!RIV11-MSM-14210___
http://linked.open...avai/riv/aktivita
http://linked.open...avai/riv/aktivity
  • S
http://linked.open...iv/cisloPeriodika
  • 2
http://linked.open...vai/riv/dodaniDat
http://linked.open...aciTvurceVysledku
http://linked.open.../riv/druhVysledku
http://linked.open...iv/duvernostUdaju
http://linked.open...titaPredkladatele
http://linked.open...dnocenehoVysledku
  • 379756
http://linked.open...ai/riv/idVysledku
  • RIV/00216224:14210/08:00038452
http://linked.open...riv/jazykVysledku
http://linked.open.../riv/klicovaSlova
  • modal scales; serial music; musical theory; musicology (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...odStatuVydavatele
  • CZ - Česká republika
http://linked.open...ontrolniKodProRIV
  • [0D75A2A3311E]
http://linked.open...i/riv/nazevZdroje
  • Acta Musicologica
http://linked.open...in/vavai/riv/obor
http://linked.open...ichTvurcuVysledku
http://linked.open...cetTvurcuVysledku
http://linked.open...UplatneniVysledku
http://linked.open...v/svazekPeriodika
  • 5
http://linked.open...iv/tvurceVysledku
  • Raclavský, Jiří
issn
  • 1214-5955
number of pages
http://localhost/t...ganizacniJednotka
  • 14210
is http://linked.open...avai/riv/vysledek of
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