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Description
  • Fiedler od svého vstupu na fotografickou scénu v roce 1904 okamžitě chápal a akceptoval všechny stylové tendence, v určitých obdobích tvořil paralelně v několika stylech. Autor charakterizuje na příkladech polaritu modernosti a tradičnosti ve Fiedlerově díle.
  • Since his appearance on the photographic scene in 1904, Fiedler immeiately understood and accepted all the style tendencies; in certain periods, he created according to several styles simultaneously. The author characterises on examples the polarity of the modern and the traditional in Fiedler's work. (en)
Title
  • Franz Fiedler - Between Avant-garde and Tradition (en)
  • Franz Fiedler - Mezi avantgardou a tradicí
  • Franz Fiedler - Mezi avantgardou a tradicí (cs)
skos:prefLabel
  • Franz Fiedler - Between Avant-garde and Tradition (en)
  • Franz Fiedler - Mezi avantgardou a tradicí
  • Franz Fiedler - Mezi avantgardou a tradicí (cs)
skos:notation
  • RIV/00094871:_____/01:00000003!RIV/2002/MK0/F25002/N
http://linked.open.../vavai/riv/strany
  • 73-74
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  • Z(MK0F25CEZ0001)
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  • 680737
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  • RIV/00094871:_____/01:00000003
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  • Pictorialism, modern photography, bromide oil print, Dresden, Prostějov, photogrpahy in Germany, photography in the Czech lands (en)
http://linked.open.../riv/klicoveSlovo
http://linked.open...ontrolniKodProRIV
  • [F3364E6104BD]
http://linked.open...i/riv/mistoVydani
  • Brno, Česká republika
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  • číslo 57
http://linked.open...i/riv/nazevZdroje
  • Bulletin Moravské galerie v Brně
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  • Dufek, Antonín
http://linked.open...n/vavai/riv/zamer
number of pages
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  • Moravská galerie v Brně
https://schema.org/isbn
  • 80-7027-113-2
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